Tahlia Newland

Indie Week welcomes Tahlia Newland, author of A Matter of Perception

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[jaccordion theme=”cupertino” active=”1″]Indie publishing – the good, the bad, the ugly & the incredibly inspiring :: I recently posted an article on my blog about what was good, bad and ugly about Hunger Games, the book and the movie. I discovered that it’s a good framework for evaluation, so I decided to look at Indie publishing in the same way. However, as you can see from the title of the post, I felt I needed to add one more category because I find the Indie movement so inspiring that it goes beyond good. The other interesting thing is that some of the good points about Indie publishing are the same as the bad points. It depends on the author’s skills as to whether the good outweighs the bad enough to take the plunge.

The good

Freedom & control. They sound diametrically opposed, but in this case, they aren’t, because you have the freedom to take control of your own work and retain all rights to it. You decide what you want to publish, when to publish it, what kind of cover you want (so long as you can afford it), who’s going to edit it (hopefully you can afford them) and everything else involved in getting a book out there.

You’re also free of the traditional publishing round about. What a relief it is to decide to simply not bother sending queries to agents and publishers, and not to have to wait, sometimes for years, for a response from publishers. (Two years after she started, my agent is still trying to find a publisher for one of my books. If she hasn’t found one by the end of July, my publishing company will be releasing that one too.)

The bad

You’re in control. That doesn’t mean you have to do it all yourself, that would be unwise even if it was possible, it means that the buck stops with you – you’re the one who ultimately has to decide on the cover art, editing, promotions and whether or not to get rid of the cliches. These can be scary decisions.

You have to put the money up front, or beg for backers, and anyone who can afford advertising and publicists have a head start in the sales department. That’s a little daunting when you first begin because you don’t know if anyone will actually buy your books, and you have no idea how many you might sell.

Indie publishing is a business and you have to run it or get someone else to do it for you. Luckily, my hubby does the books because Maths (Aussie spelling and capitalisation) and I parted company many years ago.

The ugly

Marketing sucks, especially when you don’t have a budget for it so you have to do it all yourself. Personally, because I find it easier, I spend more time marketing others than I do myself. That’s why I created the Awesome Indies site. I’m relying on karma for my marketing, but it’s too early to know if that actually works or not. I often drop other author’s names when I post on blogs & forums and they have no idea, so if/when my books start selling effortlessly, I’ll take it as proof that karma works.

Readers perception of Indies as being inferior is changing, but where it remains it’s really ugly. Prejudice and injustice always is. Arrogance isn’t a pretty sight either. It’s virtually impossible to have an Indie paperback placed in a brick and mortar store, and even though you can get your ebooks into all the main ebook stores, they still give front page promos to books published by the big traditional publishers.

I hate prejudice, and I do what I can to remove it wherever I find it. That’s why I created the Awesome Indies site. It lists high quality Indie books, there not because they’ve paid for it – they haven’t – but because industry professionals have recommended them. Editors, publishers, those with degrees in literature and writing and other authors are more critical than the average reader, so if a book’s on this list, you can be sure it’s a professional product. Negative attitudes will change when readers start using lists like this to select their Indie books.

The incredibly inspiring

I love it when artists just get out there and do it themselves, when they bypass – and to some extent make obsolete – the narrow systems set up by people employed to decide what the public want. (It’s the revolutionary in me). Liberation for authors is being able to get your work directly to readers and letting them decide if it’s any good or not.

Then there’s the different, the creative, the new, inspiring fiction and ideas that can only emerge away from mainstream publishing houses.  Only Indies can afford to risk something different. I worked in theatre for many years and the new ideas and most creative work came from the fringe, in publishing, it’ll come from the Indies.

If you want something different, you won’t find it from a big publishing house, but you’ll find plenty of it amongst the Indies.

What books have you read that you would call a new direction, or just highly creative or different?[jacc/]Bio ::

Tahlia is an avid reader, an extremely casual high school teacher and an occasional mask-maker. She has studied philosophy & meditation for many years and likes to write inspiring & empowering stories that question the nature of reality, mind and perception. After scripting and performing in Visual Theatre shows for 20 years, she is now a bone-fide expatriate of the performing arts. She lives in an Australian rainforest, is married with a teenage daughter and loves cats, but she doesn’t have one because they eat native birds.

Blog ~~ Facebook ~~ Twitter ~~ Goodreads [jacc/]Favorite books :: We asked Tahlia to share some of her favorite Indie reads – it turns out there are a few too many to mention! Intrigued? Check out the Awesome Indies site, in particular the Humour and Young Adult>Urban Fantasy listings![jacc/]A Matter of Perception ::

Take a journey into a world where the hidden becomes manifest, and the lines between fantasy and reality blur. This collection of imaginative and entertaining stories about ghosts, sirens, light spectrum mages, realm hopping gods, alien monsters and ordinary people will warm your heart and make you smile, shiver, and maybe even wonder about the nature of reality itself. The theme of individual perception as a result of our assumptions, beliefs and emotional experience bind these otherwise diverse stories into a unified whole.

Amazon ~~ Smashwords ~~ Barnes & Noble

[jacc/]Excerpt ::

Excerpt from Mistril’s Mistake, an urban fantasy story from A Matter of Perception.

The pub was just as Eleanor remembered it, dingy, crowded and smelling of cigarette smoke and stale beer. The dim booths made the perfect hiding place for people such as the young couple indulging in forbidden passions, the pair of dealers entertaining customers and the group of thieves gloating over their latest acquisitions.

Damien was there. She could feel him when his psychic invisibility flickered off. Since he probably still couldn’t maintain both mental and physical invisibility at the same time, she should be able to see him, but her scanning of the darkest nooks revealed nothing. She couldn’t use her powers or he would know she was there, so she tried to get a fix on him during his flashes of mental existence, but he kept moving.

The back of her neck prickled and she turned to see a black-haired man in a green shirt pushing purposely through the throng. He bristled with the power of the light, but not pure hues. His light shone with the colour of glazed mud. Eleanor turned away, feeling sick to her stomach. Was Damien desperate enough to turn to Brassel?

Eleanor watched Brassel weave through the crowd to the far corner. She followed him, staying out of sight, and her heart skipped a beat when she saw Damien standing in the shadows. Brassel nodded curtly at the younger man, and as he began to speak, Damien’s psychic shield slipped away. Cautiously, Eleanor extended her aural senses with a subtle stream of green. She had to risk it, had to know what they were talking about.

‘So you want protection from the old witch,’ Brassel said in his hard gruff voice.

‘Yes, and quickly. Can you do it?’ Damien replied. He sounded scared.

‘Perhaps,’ Brassel replied, ‘Perhaps not.’ Eleanor could hear the smile in his voice.

‘Don’t play with me,’ Damien growled. ‘I don’t have time.’

‘Probably not. I expect she’s already got someone on your tail and your invisibility shield is not very good.’

Eleanor dropped her probing and smothered herself with a mist of red. She didn’t dare resume her probe and concentrated instead on circling closer while keeping out of sight. It annoyed her that she didn’t hear what sort of deal they were making, but with Brassel it couldn’t be anything good.

Five minutes later, the most dangerous of the expelled practitioners walked from the pub with a self-satisfied smirk on his face, and the bar erupted into a brawl. Torrents of abuse and women screaming filled the air while Eleanor backed against a wall out of the way of flying glasses, bottles and human beings.

Slithers of sharp white light flew from Damien’s corner. The brawl was unlikely to stop so long as he kept it up, so Eleanor counteracted by flooding the room with calming blue. White battled blue, sharp against smooth. Eleanor peered through the crowd and glimpsed spikes of frozen anger and frustration bursting from his body. Stupid man. Infected with emotion gone wild, light power was brittle, easily shattered.[jacc/]Giveaway ::

Tahlia is giving away five copies of her short story A Hole in the Pavement.

Every morning, Norris watches his goddess walk to the bus stop in front of him, the gap between them far wider than the physical distance. This morning, she stumbles. He wants to run and help her, but finds himself stuck in a hole that appeared along with his self doubt. By the time he gets out, she’s long gone. He vows that if it happens again, he won’t hesitate, but when she falls the next day, he has more than just his own hole to deal with. Can he find his heroic self before she walks away? 

This heart warming, humorous and profound magical realism short story (5000 words) is a readers’ favourite from ‘A Matter of Perception,’ a collection of short stories by Tahlia Newland.

 


a Rafflecopter giveaway
 

[jacc/]All Indie Week posts ::

Amy Edelman – founder of IndieReader

Tahlia Newland – author of A Matter of Perception

Naomi Blackburn – co-moderator of Sisterhood of the Traveling Book

Jonathan Gould – author of Doodling

Greg – founder of Ereader News Today

Roz Morris – author of My Memories of a Future Life

Stephen Windwalker – founder of Kindle Nation Daily

Susan Salluce – author of Out of Breath

Pandora Poikilos – founder of Orangeberry Book Tours

Michael Burns – author of The Horn

Terri Giuliano Long’s ‘Ode to Book Bloggers’

Donna – founder of Girl Who Reads

Kathy – founder of I Am A Reader, Not A Writer

Rachel Thompson, author of The Mancode: Exposed

Adam Charles, founding Director of iWriteReadRate.com

Christine Nolfi, author of The Tree of Everlasting Knowledge

[/jaccordion]
Please note, the views of the post author - and indeed anyone who guest posts on The Art and Craft of Writing Creatively - are not necessarily indicative of the views of Terri Giuliano Long and comments are moderated to filter spam/profanity only.

"Censorship always defeats its own purpose, for it creates in the end the kind of society that is incapable of exercising real discretion."
Henry Steele Commager

Terri Giuliano Long

Terri Giuliano Long, a frequent guest blogger, with appearances on hundreds of blogs, is a contributing writer for IndieReader and Her Circle eZine. She lives with her family on the East Coast Her debut novel, In Leah’s Wake, winner of the Global eBook Award, Popular Fiction, and Indie Discovery Award, Literary Fiction, has sold over 130,000 copies worldwide.

Latest posts by Terri Giuliano Long (see all)

I'd love to hear your thoughts!

  1. Great article Tahlia.

    You describe well the dilemma facing writers when considering the self-publishing route.

    I'm pleased that I chose to join the indie writing community. I don't feel I would have enjoyed as much interaction with readers and fellow writers had I chosen the traditional publishing route.

    I have had a lot of support from my wife, Donna, and there is no doubt when I say that I couldn't have made it as far as I have without her.

    We have learned so many lessons with my first book and now the second is due this year we're confident of doing even better.

  2. Great points, Tahlia. It's not a level playing field for indies and we have to work even harder than conventionally published authors to get ourselves a fair hearing. You and your Awesome Indies site are doing a fab job demonstrating that there is quality and immense talent out there. Slowly we'll change perceptions.

    Thank goodness we now have credible ways to take matters into our own hands. I'm still waiting for rejections from publishers who received my book three years ago, and have declined to reject it outright. Too late now :)

  3. I'm glad you liked it. You make a good point about the community, it's wonderful to have the support of others going down the same path.

  4. Part of the problem is that of the millions (yes millions!) of books sp, it is estimated that only 5% are worth a readers time and money. At B.R.A.G.Medallion we are trying to find those diamonds in the coal heap!

    Stop at http://www.bragmedallion.com and see how we are helping -suggest books,become a reader or at least read a really good book!

  5. I am sick and tired of people looking down on me because I chose to go the Indie way, as if my work is inferior to others. Thank goodness for Terri who shows that there is another side to the story for those of us who believe in ourselves. I encourage people to look to Indie publishing, but still it seems that I have a very long way to go.

    Hooray, for those of you who had the guts to do yourselves!

    Linzé

    • Oh, Linze, thank you so very much!! You are so sweet and generous to say that! I really believe that by joining forces, working together as a community, putting our best foot forward (as I know you do), we can erase the indie stigma. It may some work and a little time, but we're getting there. The landscape is changing – our books are making lists and we're connecting with readers.

      You're right – it takes guts to it yourself. But I wouldn't trade this experience for anything!

      Thank you so much for stopping by!!

  6. Great article and spot-on insights. My first three books were published the mainstream way, and each sustained damage from its editor/publisher. My first editor deleted an important passage because she thought it was too honest. My second publisher (William Morrow, New York) erroneously categorized a biography as fiction, a sloppy goof-up that cut the legs out from under the market for that book. My third publisher introduced errors during the typesetting/formatting. Needless to say, I don’t have a high opinion of the “mainstream.” For my WATERSPELL fantasy trilogy (a project that consumed me for more than a decade), I was determined to do it right. Which meant going indie. In many cases, the inexperienced, cookie-cutter editors who now populate the big, corporate, traditional publishing industry are unqualified to be “gatekeepers.” Personal experience has taught me that independent book-review sites such as Awesome Indies do a better job of sifting the wheat from the chaff. Thank you, Tahlia, for the excellent work you’re doing as a book reviewer and active blogger.

  7. Thank you so much for visiting, Deborah! I join you in applauding Tahlia and thanking her for the wonderful work she's doing on behalf of indie authors! It requires guts to separate from the mainstream; regardless of the errors, by going indie you take a risk. I admire your courage and wish you all the very best with WATERSPELL!